“We all want to understand art. Why not try to understand the song of a bird?…individuals who try to explain pictures are usually barking up the wrong tree.” – Pablo Picasso. What Picasso says about understanding art is very highly relevant to the way we approach Large Abstract Wall Art. Lots of people think that abstract paintings must have a particular concept of some sort, that could be clearly understood and articulated if only they knew how. This misconception is not helped by the endless supply of people prepared to spout nonsense in regards to what believe that the artist was trying to say. The almost inevitable consequence of this situation is that people can either feel as though they are being excluded from sharing in a few secret knowledge, or alternatively conclude that abstract painting is certainly all a sham. In any event, the result is the fact that many people do not feel well-disposed towards modern art or abstract paintings.
I certainly identify with Picasso’s remark as far as my own, personal paintings are involved. Basically If I enjoyed a specific message or a which means that I could articulate in words, i then would articulate it in words – the painting might have no purpose. The complete reason for creating an abstract painting is that it embodies something that only it can, in a way in which should not be put in words. It is really not an essay this is a painting – it encompasses and expresses things in a language that is unique for the medium of paint. This is why we should not make an effort to ‘understand’ abstract paintings in the manner people sometimes feel they ought to be able to.
The viewer should never look for a clear narrative in an abstract painting – it is not going to tell a story, or reference an external ‘subject’ in a similar manner that a figurative painting will. But that does not necessarily mean there is not any meaning or no subject, or that abstract paintings cannot contact and move people. When asked about material, the Abstract Expressionist artist Jackson Pollock said, “I am just the niche”. Pollock’s statement is not only true, it is actually inevitable.
The experiences, personality, memories and mood of the abstract artist cannot help but be fed in to the Large Black and White Art when the artist approaches the task inside an open and honest way. I do not need an outside subject or idea before I can produce a painting – I simply begin. The fact that I am me with no-one else is the reason why my work different to anyone else’s, and the same is true of all artists. The colours I select, the marks a make, the accidents I select to leave, or to obliterate, they are all things that I choose due to who I am.
If you decide to present many different artists with the same basic design on the canvas and ask them to pick up a brush and develop the painting, the differences in the things they would choose to do could be enormous. I actually have watched other abstract artists at the job on paintings and thought “I might never in a million years have chosen that colour and set it there.” Not because I believe it is wrong or bad, but as they are who they really are and (to quote that other leading artist, Morrisey!) “only I am just I”.
Abstract paintings – There are many great styles of painting out there, as a result of a wealthy art history that has seen movement after movement. The phrase abstract art is often used a blanket term to explain non-representational art – this is the deficiency of recognisable subjects. Abstract art was linked to the rise of modernism during the last century, coming into the mainstream with abstract expressionism in post-war art yet still continuing to influence artists today.
What brought regarding the qualities we percieve in abstract art? The flattening from the artist’s canvas surface is certainly one major quality, as artists moved from a convincing illusionism towards broader-minded thinking. Using the invention of photography releasing the artist from painting as a way of recording reality, they began seeing the canvas surface as being an object in the own right, with the canvas being a single, flat expansive surface. Paint ‘acted’ and affected the flat surface and began to form its very own qualities based on how it was handled. The paint could exhibit ‘personality’, it had its very own dimensions and exposed an array of xsjvnx techniques we have seen in artwork with the last century. One of the main reasons artists began Photo to Canvas Painting in an abstract way was the opportunities for greater creativity. It allowed for a greater range of expression and the growth of ideas which were not reliant on representing reality any further.